Please visit the “Technical Information” section to see topics that will reveal the extraordinary amount of attention given to the design and execution of the Linestage I to adhere to this philosophy. ![]() It has been met in the First Sound Linestage I. To design an active linestage with the sound of a passive. Purity, Naturalness, Clarity are some of the attributes that arise in ones mind when experiencing the First Sound Passive. Audio Research’s Reference 6SE preamplifier is a big step forward from their Reference 6 in terms of transparency, and thus in terms of all the sonic nuances that a superior preamplifier can communicate. It was an uphill battle from the very start as Linestage I had the daunting task of being compared to the First Sound Passive. In the same vein as is known from the Tube Preamp II MK2, the playback via the 'DC' outputs is a tad bit more contoured and grippy in the lower frequencies. Aiming at a broader group of the High-End community, it was decided that an active linestage would be needed to achieve this goal. At the Forefront Entering the preamp with otherwise identical cables via XLR or RCA produced only a hint of a difference for us, at most. The Design Goals: With the success of the First Sound Passive Preamplifier, it came to attention that the passive preamplifier design was reaching a select group of audiophiles. The ensuing discussions will reveal the extraordinary amount of attention given to the design and execution of the Linestage I to adhere to this philosophy. This has been carried over into the Linestage I. The inherent success of the First Sound passive unit was due to the underlying philosophy that the purest possible signal equates to superior sound. Now known as the epitome of passive design, the First Sound Passive Preamplifier, provided the launching pad for the Linestage I. In 1997, the year when ACCUSTIC ARTS was founded, the AMP II was one of our first products. The First Sound Reference Quality Passive Preamplifier was born. An avid audiophile, he undertook an overwhelming research and development program aimed at pursuing the limits of passive preamplifier design. ![]() ![]() First Sound was started in 1989 by Emmanuel Go.
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